Time is really limited right now to blog since I forgot to shutdown my laptop and my battery is quite low. No charger either since it’s back at the podium in the exhibit hall.
First off, I have never been so ecstatic to start blogging. Not because it was a great day at GEOINT or anything, but because I had witnessed probably the most (*as i pause here to think of the right words to even start describing this experience…*) unique and stunning musical show ever, and it only lasted around half an hour, if that. The phenomenal, Theresa Andersson. I’m not really one to buy a cd nor devote a majority of a blog post to a musician, not because no one was deserving, but because no one had ever really moved me as much as her. After her first song/performance and getting non-stop chills listening to her sing, I was completely sold. Her music is not only beautiful, but impressive to watch her perform. I cannot even begin to describe the awe I was in when seeing her use her own voice as backup singers using some recor…
*and that’s when my battery died…listening to her cd now as I try to retrace this thought three days later*
Ahh yes, the backup singers whom she called “the Kitchenettes.” (Her cd cover states that she records her music in her kitchen.) First thing she says to the audience after her soundcheck is, “Hey guys, make yourselves feel like you’re in my kitchen.” How strange, right? First thing I thought was, hmm this is kinda hippy-like. This could be either really weird or really good.
She starts to strum and sing the first few notes of the song on her violin as she pushes down one of several pedals to record herself. Then she moves over to her drums to create a beat and once again records this. But all the while, music has continued to flow so smoothly from the previous recordings that continue to loop. Next thing you know, you hear a softer familiar voice in the background but no other singers are present on stage. She belts out meaningful lyrics to these catchy beats. A beautiful New Orleans-influenced song has just been created in front of your very eyes.
One of my favorites from the night is this song called, “Hi-Low,” which has a Hawaiian feel to it. It’s soo amazing to watch her perform this one because she makes two distinct voices immediately after one another in two different microphones as if she did have a background singer right there with her.
It’s difficult to describe Theresa’s music in comparison to others, as she composes music so uniquely and beautifully. Her genre of music (according to her Facebook profile!) is Indie Soul. When I think of folk, I think of the also very talented Jack Johnson, but she really does kick it up a notch, or two or five or ten! I would say she has this fusion of soul and folk and kind of has a less poppy “Natasha Bedingfield-meets-Norah Jones” sound. Her tunes are simple, yet you wouldn’t be able to tell how complex the composition of the song really was without seeing her live. She has to deal with accurate timing and synchronization of the several recordings, when to turn them off and when to join them, and singing and playing of course. It is truly fascinating to watch her dance and hop around barefoot as she switches pedals and instruments, from guitar to violin to drums to even just clapping or beat boxing to create a maelstrom of such cool sounds!! In one word, Theresa Andersson is “effervescent,” as described by the bar owner when he outro’d her.
It is clear that the mellow, yet very appreciative crowd had a united sense of respect for her as they listened so attentively and were nearly silent in between her setup for the next song. I actually found myself whispering to my friend Evan, “AMAZING!” as he “shhhh’d!” me back.
Under normal circumstances, I would have been absolutely disappointed that I forgot my camera that night to share this experience with y’all, but there was just too much to take in that it would have taken away from the moment. Instead, check her out on this YouTube video, in her very own kitchen:
So that was the highlight of my trip to Nashville! I could not have been exposed to this experience without reuniting with my friend and high school classmate, Evan Goodberry. He introduced me to this very cool dive bar, the Basement, where we got this unexpected musical treat — for free too!! I knew Nashville was a music city before I arrived, but I had no idea I would get this blown away. THANKS SO MUCH, EVAN!
All this music talk, and where’s the geoint?! Well Day 1 was fairly exhausting being that it was the first taste of booth duty. That is, standing on and off talking to potential customers and demo’ing for about 7 hours. Oh yeah, and having to compete with the Johnny Cash look-a-like and Wii station at the NetApp booth across the aisle. The day ended well though…you know, with a Yuengling later (I’ve made it a point to drink it whenever I can. Thank you Tennessee for finally bringing this beer outside of the northeast!)
Updates on Days 2 and 3 to follow, which were MUCH MORE EVENTFUL! I’m starting to get the sniffles. Not cool since I have to fly back to San Diego in about 8 hours. Perhaps I can make it to a Waffle House before my flight! “Like my waffle house hash browns…” with jalepenos!!!! Oh yessss!!!
Signing off till San Diego…
Happy Halloween everyone! Rock on and be safe!

Alas, the major update has finally arrived…four months into the journey! As most of you already know, I am yet another east-to-west-coast convert. If you couldn’t tell from the ridiculously hilarious yet very real road sign, I’m in America’s Finest City — San Diego, CA! And that’s no exaggeration, it actually is nicknamed that and completely lives up to it. Don’t let the fleeing Mexicans fool you. 










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